The Classic Myths in English Literature and Art eBook Charles Mills Gayley
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Charles Mills Gayley (1858 – 1932) was a professor of English and the Classics at the University of California, Berkeley. His magnum opus, The Classic Myths in English Literature and in Art, remains valuable today for its thoughtful reviews of the ancient myths and their recurring appearance in literature and art.
It contains the following chapters
Introduction
The Study of Mythology in Connection With English Poetry and With Art
Suggestions to Teachers
Part I. Myths of Divinities and Heroes
I. Greek Myths of the Creation
II. The Gods of Heaven
III. The Gods of Earth
IV. The Gods of the Underworld
V. The Gods of the Waters
VI. The Roman Divinities
VII. Myths of the Great Divinities of Heaven
VIII. Myths of the Great Divinities of Earth
IX. From the Earth to the Underworld
X. Myths of Neptune, Ruler of the Waters
XI. Myths of the Lesser Divinities of Heaven
XII. Myths of the Lesser Divinities of Earth, Etc.
XIII. Myths of Lesser Divinities of the Waters
XIV. Myths of the Older Heroes The House of Danaus, and Its Connections
XV. The Family of Aeolus
XVI. The Family of Aetolus and Its Connections
XVII. The House of Minos
XVIII. The House of Cecrops and Erichthonius
XIX. The House of Labdacus
XX. Myths of the Younger Heroes The Seven Against Thebes
XXI. Houses Concerned in the Trojan War
XXII. The Trojan War
XXIII. The Fall of Troy
XXIV. The Wanderings of Ulysses
XXV. Adventures of Aeneas
XXVI. The War Between Trojans and Latins
XXVII. Myths of the Norse Gods
XXVIII. Myths of Norse and Old German Heroes
XXIX. The Ring of the Nibelung
Part II. The History of Myth
XXX. The Origin and Elements of Myth
XXXI. The Distribution of Myths
XXXII. The Preservation of Myths
The Classic Myths in English Literature and Art eBook Charles Mills Gayley
My pastor recommended this book and I was so glad that Amazon had it. It is a great reference book on mythological creatures. It is very detailed and even gives the family trees for these gods/creatures. I highly recommend the purchase of this book if you are one who is interested in mythology. It is one of the best books on this subject.Product details
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The Classic Myths in English Literature and Art eBook Charles Mills Gayley Reviews
This book is well worth purchasing. It was originally published as Bullfinch's Age of Fable in 1855. It was rewritten and republished by Edward Everett Hale after the American Civil War. It was rewritten and enlarged by Gayley in 1893 and has been in print ever since. It has been in print because its review of Greco-Roman myths is so useful to those studying literature, poetry, or art.
Part one coves myths of gods and heroes; creation myths, the heavenly gods, the earth gods, and the gods of the waters and the underworld. It covers the Trojan War, the wanderings of Ulysses and of Aeneas, and the war between the Trojans and the Latins. Remembering those who love music, it even covers the Norse gods, old Germanic heroes, and what you need to know to appreciate Wagner's Ring Cycle opera.
Part two looks at the history of these myths and their distribution throughout the world.
The last part is a commentary on the earlier parts which Gayley added to the earlier work. Its function is to point out problems in the earlier text, poems that were not mentioned in the other sections, and to notice ancient or modern sculptures that are relevant.
Lastly, there is a very full index of mythological subjects and a second index of modern authors and modern artists. With these two indexes, you may not need to purchase the Oxford Classical Dictionary or the Oxford Companion to Classical Literature, although I find it useful to have all three on my reference shelf. That said, I may add that Classic Myths does what the above two books do not it provides a narrative discussion of the myths whereas they break the myths up into short entries as befits a dictionary or encyclopedia.
This book is well worth purchasing. It was originally published as Bullfinch's Age of Fable in 1855. It was rewritten and republished by Edward Everett Hale after the American Civil War. It was rewritten and enlarged by Gayley in 1893 and has been in print ever since. It has been in print because its review of Greco-Roman myths is so useful to those studying literature, poetry, or art. Indeed, it is available on from different publishers at different prices.
Part one coves myths of gods and heroes; creation myths, the heavenly gods, the earth gods, and the gods of the waters and the underworld. It covers the Trojan War, the wanderings of Ulysses and of Aeneas, and the war between the Trojans and the Latins. Remembering those who love music, it even covers the Norse gods, old Germanic heroes, and what you need to know to appreciate Wagner's Ring Cycle opera.
Part two looks at the history of these myths and their distribution throughout the world.
The last part is a commentary on the earlier parts which Gayley added to the earlier work. Its function is to point out problems in the earlier text, poems that were not mentioned in the other sections, and to notice ancient or modern sculptures that are relevant.
Lastly, there is a very full index of mythological subjects and a second index of modern authors and modern artists. With these two indexes, you may not need to purchase the Oxford Classical Dictionary or the Oxford Companion to Classical Literature, although I find it useful to have all three on my reference shelf. That said, I may add that Classic Myths does what the above two books do not it provides a narrative discussion of the myths whereas they break the myths up into short entries as befits a dictionary or encyclopedia.
This book is well worth purchasing. It was originally published as Bullfinch's Age of Fable in 1855. It was rewritten and republished by Edward Everett Hale after the American Civil War. It was rewritten and enlarged by Gayley in 1893 and has been in print ever since. It has been in print because its review of Greco-Roman myths is so useful to those studying literature, poetry, or art. Indeed, it is available on from different publishers.
Part one coves myths of gods and heroes; creation myths, the heavenly gods, the earth gods, and the gods of the waters and the underworld. It covers the Trojan War, the wanderings of Ulysses and of Aeneas, and the war between the Trojans and the Latins. Remembering those who love music, it even covers the Norse gods, old Germanic heroes, and what you need to know to appreciate Wagner's Ring Cycle opera.
Part two looks at the history of these myths and their distribution throughout the world.
The last part is a commentary on the earlier parts which Gayley added to the earlier work. Its function is to point out problems in the earlier text, poems that were not mentioned in the other sections, and to notice ancient or modern sculptures that are relevant.
Lastly, there is a very full index of mythological subjects and a second index of modern authors and modern artists. With these two indexes, you may not need to purchase the Oxford Classical Dictionary or the Oxford Companion to Classical Literature, although I find it useful to have all three on my reference shelf. That said, I may add that Classic Myths does what the above two books do not it provides a narrative discussion of the myths whereas they break the myths up into short entries as befits a dictionary or encyclopedia.
My pastor recommended this book and I was so glad that had it. It is a great reference book on mythological creatures. It is very detailed and even gives the family trees for these gods/creatures. I highly recommend the purchase of this book if you are one who is interested in mythology. It is one of the best books on this subject.
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